Tibetian Buddha oil painting on canvas.

Result #1

Tibetian Buddha oil painting on canvas. The works title, The Painted Lady, is a play on the names of two women from the Chinese-speaking area of northern China, the Chinese-speaking subjects of the painting. The Painted Lady, like the Chinese-speaking subjects, is a woman who is in love with a man and is also a symbol of the Chinese-speaking people. The title is translated as The Painted Lady, and the painting is based on the Chinese-speaking characters for love. In the painting, the love of the Painted Lady is a woman who is not afraid of her own beauty, who is not afraid to be beautiful. The paintings title is a play on words, a play on words, and a play on words. The painting is a beautiful painting, but not beautiful at all. Its a beautiful painting, but not beautiful at all. The painting is a beautiful painting, but not beautiful at all. In the painting, the woman is represented by a woman who is not afraid of her beauty, who is not afraid of her own beauty. In the painting, the man is represented by a man who is afraid of his own beauty. The painting is a beautiful painting, but not beautiful at all. The painting is a beautiful painting, but not beautiful at all. In the painting, the woman is represented by a woman who is afraid of her beauty, who is afraid of her own beauty. In the painting, the man is represented by a man who is afraid of his own beauty. The painting is a beautiful painting, but not beautiful at all. In the painting, the woman is represented by a woman who is afraid of her beauty, who is afraid of her own beauty. In the painting, the man is represented by a man who is afraid of his own beauty. The painting is a beautiful painting, but not beautiful at all. The painting is a beautiful painting, but not beautiful at all.

Result #2

Tibetian Buddha oil painting on canvas. The two are each entitled I Love You and the other, You Love Me. The latter is an homage to the 1970s, when the artist and fellow Bay Area artist Larry Clark were friends. The paintings are both composed of fragments of words and images, and both have a surrealist quality.In the seventies, Tibi was active in the arts, with installations and videos. In the eighties he developed a series of images of the human body which are based on his experiences with it. In the late eighties, he began to paint, and in the nineties he began to incorporate his images into his works. His recent work shows the continuation of this work in a more abstract manner. In the early nineties, Tibi made a series of black-and-white photographs of his body which he had photographed in San Francisco. The body was depicted as a grid of flat shapes, some of which were painted in black and others in white. The grid is a visual metaphor for the world of the body, for the body as a device for creating and controlling reality.The current work, which is based on Tibi's previous body of work, is based on the same principles. The images are divided into two parts, the main part of which is a grid of flat shapes. The grids are applied in a manner similar to the way the body is painted. The flat shapes are then cut into strips and presented in a grid format. The strips are then cut into smaller shapes, and again the grid is repeated. The result is a sort of pictorial collage which is based on Tibis experience as a body painter. Tibi has used this technique to create a kind of collage that is based on the body. The flat shapes are then shown in a grid format. The results are like photographic prints or collages of images. Tibi has created a kind of collage, one based on the body, but one which is more abstract than the body.

Result #3

Tibetian Buddha oil painting on canvas. The paintings are divided into three sections: a zigzagging arc, a sweeping circle, and a single, seemingly arbitrary shape. The zigzagging arc is a vertical or horizontal line extending from the center of the canvas to the bottom edge. The horizontal line is wider, and the canvas surface is painted black. The painting is called Tibetian Buddha, and the title is taken from a text by the Buddha himself. The zigzagging arc is repeated over the entire painting, and the painting is titled Tibetian Buddha, Tibetian painting, and the title is taken from a work by the Japanese writer Tetsumi Suzuki, translated into English.The paintings in the show are all from the series Tibetian Painting, 1995–2006. The paintings are made up of layers of color and layers of paint, and they are painted on canvas. The paintings are made of white paper, and the paper is printed on a matte gray surface. The paper is not quite white, but the paper is slightly yellowish, and the color is applied to the surface. The paper is also not entirely black, but the color is applied in layers, and the results are like a dreamscape. The paper is not smooth, but the paint is applied with a flexible brush. The paintings are painted in broad, linear patterns, with the colors and lines always overlapping. The paper is laid on a surface made from soft, porous clay. The clay is used to make the clay. The clay is then heated, and the clay is dried, and the clay is mixed with paint. The clay is then put into the paintings, and the clay is dried again. The clay is then placed on a large-scale base, and the base is painted black. The clay is then added to the paintings, and the clay is dried again. The clay is then painted again, and the clay is dried again.

Result #4

Tibetian Buddha oil painting on canvas. The show contained paintings, a sculpture, and an installation of the same name. Each of the works shown was made up of a single, identical, almost identical, element: the face, the body, and the head. The painting was titled Aka, a name that derives from the Chinese word for modernism, but is also a contraction of the word for hair. It depicts a figure that looks like a modernist modern, and is in fact an ancient Chinese sculpture made of hair. The heads are all made of wood, and the body is made of wood. The body of the head is covered with fur. The fur is a sort of kind of sisal, which is woven in the past, but which has now become a modern material. The hair is painted in a rich brown, black, and white color, and the painting is divided into three sections, each one a different color, each one an equal number of pixels. The painting is divided into four parts, and the heads are arranged in a grid, in order of ascending color. The heads are painted in the same color as the fur, and the fur is painted in a rich brown, black, and white color. In one of the paintings, the fur is divided into three sections; in another, it is divided into three sections; and in a third, into two sections. The painting is divided into five parts, and the heads are arranged in a grid, in order of ascending color. The heads are painted in the same color as the fur, and the fur is painted in a rich brown, black, and white color. In one of the paintings, the fur is divided into three sections; in another, it is divided into three sections; and in a third, into two sections. The painting is divided into five parts, and the heads are arranged in a grid, in order of ascending color.

Result #5

Tibetian Buddha oil painting on canvas. A long, rectangular, circlelike form, sometimes edged in brown, is painted a deep orange. The title of the piece is a pun on the title of the title of the painting, an abridged translation of the original Buddhist text. The circle, for instance, is called the Vajrayana, the same title as a famous Lotus Sutra. This is a translation of the text of the Lotus Sutra into a painting. A painting is a book, which means to translate the text of a text into a painting. The text is a picture, or a picture that has been translated into a painting. In this case, the text of the painting is the Buddha, a painting, in the same way that the Buddha picture is a book.The painting in the show is called Lobsang, or Lobsang, a Chinese translation of the Chinese characters for happiness, and it is a reproduction of the original painting. The text is the same as the text of the painting. The Buddha picture is a book, and the painting is a book, and this is the meaning of the title of the exhibition. The text of the exhibition is a translation of the text of the exhibition into a painting. The book is like a book, like a painting. The text of the exhibition is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book. The book is like a painting, like a book.