Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate.

Result #1

Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate. Visitors can enter the installation, which consists of a series of small wooden boxes, each holding a single object. The boxes are arranged in a grid, which serves as a kind of boundary, separating the objects within it from one another. The objects in each box are labeled with their name and date. This is a kind of post-Minimalist art, with the goal of examining the relationship between the objects within a given box and its contents.The boxes are arranged in a grid, which serves as a kind of boundary, separating the objects within it from one another. The objects in each box are labeled with their name and date. This is a kind of post-Minimalist art, with the goal of examining the relationship between the objects within a given box and its contents. Groce creates a kind of formal and conceptual grid that encompasses the whole of the I-26E exit ramp at Ashley Phosphate. Visitors are invited to enter the grid, which encloses the entire complex of objects within it. The objects in each box are labeled with their name and date. This is a kind of post-Minimalist art, with the goal of examining the relationship between the objects within a given box and its contents. Groce creates a kind of formal and conceptual grid that encompasses the whole of the I-26E exit ramp at Ashley Phosphate. Visitors are invited to enter the grid, which encloses the entire complex of objects within it. The objects in each box are labeled with their name and date. This is a kind of post-Minimalist art, with the goal of examining the relationship between the objects within a given box and its contents. Groce creates a kind of formal and conceptual grid that encompasses the whole of the I-26E exit ramp at Ashley Phosphate. Visitors are invited to enter the grid, which encloses the entire complex of objects within it. The objects in each box are labeled with their name and date.

Result #2

Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate. The work consists of an image of a pyramid and a pair of clawed feet. The image is printed on a canvas and mounted on a glass screen; the work is constructed of a large wooden pyramid, a golden calf, and a pair of mittens. Groce also has a stuffed elephant, a golden calf, and a golden calf, all of which are shown from the back. The work is a representation of a ritual or celebration.Groces work has a richly poetic sensibility. The work is presented in a series of alternating sections. The sections are arranged in a clockwise sequence, with the first section of the work titled, The Womb, The Breast, The Heart. The next section, The Frog, The Frog, The Womb, The Breast, The Heart, is titled The Frog, The Womb, The Breast, The Heart. In the last section, The Womb, The Breast, The Heart, the last section, The Womb, The Breast, The Heart, is titled The Frog, The Frog, The Womb, The Frog, The Womb, The Heart.

Result #3

Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate. This is a bit of a misnomer, as the work is a 12-foot-long piece of conduit. The work consists of a series of 12 concrete blocks placed in a grid pattern. The blocks are placed in the grid, in a square formation, with the blocks angled in a series of different directions. The blocks have the look of being made of painted wood, which gives the pieces a modern look, a feeling of weight and mass. The blocks are made of wood, the wood has been cut into cubes, and the cubes have been stapled together. The blocks have been cut into grids, and the grids have been stapled together. The blocks are painted black, and the blocks are painted black. The blocks are built up in a kind of pyramid-like structure, and the blocks are made of wood. Groce has the look of being made of painted wood. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together. Groce has the look of being made of painted wood. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together. Groce has the look of being made of painted wood. The blocks are painted black, and the blocks are stapled together. Groce has the look of being made of painted wood. The blocks are painted black, and the blocks are stapled together. Groce has the look of being made of painted wood. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together. The blocks are painted black, and the blocks are stapled together.

Result #4

Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate. In this work, Groce projected a series of seven images of the same subject from various angles on the wall. The images were arranged in a grid, which was covered with a layer of clear acrylic paint. A single image was projected from each of the seven panels, thus creating a large and complex composition. The installation was divided into six parts, each one containing a different image. In the middle of each section, Groce created a straight line, or a continuous, horizontal line, between two parallel axes. These lines were then cut through and past each other and were replaced by a grid of concentric circles, which served as the basis for the next sections. The final part of the installation was comprised of six large panels. The outermost, the smallest, and the most complex, were comprised of seven identical images. The upper and lower panels were painted black and white, and the upper was painted gray. The colors in the middle panels were mostly gray. The upper panel was painted white. The lower panels were painted black. The paint job was applied in a very deliberate manner. In some cases the paint was sprayed directly on the surface of the acrylic, in other cases the paint was applied in a manner similar to a spray gun. The paint was applied in a very deliberate manner. The surfaces of the acrylics were not smooth; they were cracked and stained with a high gloss. The paint was applied in a very deliberate manner. The surface of the acrylics was not smooth. Groce has stated that he wants to use the acrylics to paint the surface of the wall. He also states that the paint is applied in a very deliberate manner. The paint job is very deliberate, as well. The paint job is very deliberate, as well. The paint job is very deliberate. Groce has stated that he wants to use the acrylics to paint the surface of the wall. He also states that the paint is applied in a very deliberate manner.

Result #5

Jason Groce created an art installation that he calls "Ham & Chz 12-13" on the I-26E exit ramp at Ashley Phosphate. This is a simple but effective way to avoid the congested traffic in the city. Groce has installed two similar-looking but much larger structures on the same ramp. Both are four feet high, and the only difference is that the doors on the ramps are a little wider, allowing him to build the house inside them. Groce has also installed four smaller structures on the ramp at the same time, in a similar manner, but they are all made of wood and painted white. The wood is arranged in a grid and the white paint has been applied over a glossy, glossy surface. The walls are painted black, and the floors are white. The only difference is that the doors on the ramps are wider, allowing him to build the house inside them. Groces wooden structures, all made of wood and painted white, are reminiscent of the old, more modernist wood-and-painted-white houses. Groce has also installed a series of photographs of his structures on the ramps. The pictures are of a similar size and shape to the buildings, but they show the buildings in the same way. These photographs show the construction of the house in the wooden structures, and Groce has also attached the photographs to the wall, so that the photos are on the same level as the buildings. The photographs are of the same size as the buildings, but the photos are more like architectural studies. They show the buildings in the same way, and Groce has also attached the photographs to the wall, so that the photos are on the same level as the buildings. The photographs are of a similar size and shape to the buildings, but they show the buildings in the same way. These photographs show the construction of the house in the wooden structures, and Groce has also attached the photographs to the wall, so that the photos are on the same level as the buildings. The photographs are of the same size as the buildings, but the photos are more like architectural studies.