An independent music festival in Brussels, called "Oscillator Festival". Electronic music and live performances.

Result #1

A musical system that allows you to dance with the rhythm of the music without ever getting the feeling of having to stop. This is the future of the world.

Result #2

The exhibition is divided into two parts, and, for the most part, the first part is devoted to the artists involved, the music. The other part is devoted to the art that surrounds them. They include, for example, the 20th Century architects and designers of the city. It is this part of the show that we are most interested in, as we are curious to see what they have in store for us. Here, the work of many architects and designers is presented in a public space, as in the case of Ville Ville, which was the site of this exhibition.The works that were exhibited are presented in a variety of ways, as in a gallery, as in a museum, as a video installation, and as drawings. They are organized according to a hierarchical system: the artist is represented by a work of art, and the architect by a design. The presentation of these works in this manner is a clear and precise one, which has been used to demonstrate the reality of the world. But the work of the architects is also seen in the context of a private, solitary, and often solitary exhibition, as in the case of the exhibition of the 20th Century architects at the MAMMA. This exhibition is a very successful one, in that it makes clear the nature of the competition between art and architecture, and demonstrates that the latter is more than the mere projection of the former.

Result #3

An independent music festival in Brussels, called "Oscillator Festival". Electronic music and live performances. The first is a highly ritualized event, with an audience of dozens of people, who form a line on the street, some walking in the opposite direction; others are on the sidewalk. The music is a simple electronic score, but with a special, hand-made, japanese drum kit. The line moves in different directions, stopping at a certain point every time that the sound of the drum kit begins to grow louder. It seems to be running in circles, in reverse. The audience seems to be dancing, but the rhythm is reversed, and one of the performers turns to face the audience, as if to say: Stop!Then, from the back, a different set of people begins to form, and the circle of people stops. The sound of the drum kit continues until it reaches a volume that completely destroys the first line. The drum kit continues until the line of people has completely vanished. The circle of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The circle of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The circle of people turns to face the audience and the drum kit is completely destroyed. The circle of people turns to face the audience and the drum kit is completely destroyed. The circle of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed. The line of people turns to face the audience and the drum kit is completely destroyed.

Result #4

An independent music festival in Brussels, called "Oscillator Festival". Electronic music and live performances. The artist, Michael van der Werve, is a young Dutch artist who has been living in Belgium since 1999. He is also the artist in residence at the Centre for Contemporary Art, Galerie Gerrit Rieghe, in Brussels. This is his first solo show in his homeland. It was preceded by a large-scale installation of electronic music, presented as a series of concerts. The two concerts were in fact not simultaneous. But the concerts were each accompanied by an electronic piece, and each consisted of a short video shot and a performance, which could be found on the website. This was followed by a small, twelve-minute video installation, which was also accompanied by electronic music, but had no accompanying sound. And so on and so forth, a long, intricate, and rather confusing path through a sound space.The exhibition was divided into four parts. The first part, which comprised a sound-space installation, was called The Oldest Ones, 2014–15. The work was an eerie soundscape of electronic instruments that gave off an unsettling, rhythmic and stillness. The ambient electronic music was accompanied by a long, pulsating electronic voice, as if the artist were a sort of alien in a foreign language.

Result #5

An independent music festival in Brussels, called "Oscillator Festival". Electronic music and live performances. The dance scene is becoming increasingly fragmented and is characterized by a growing diversity of cultural activities, from performance to music. This is the first major international exhibition of this kind in Belgium, where the largest electronic music festival is held every year. The four artists who will be participating are the collective La Fédération Internationale (EI) and the band G-Dragon.The exhibition will run from January 6 to July 21 and will be accompanied by a catalogue, a special book, and an audio/visual presentation. The show will be installed at the Stedelijks Norgaart Space in The Hague, and will be accompanied by an interview with La Fédération and a video of their performances. The show will be accompanied by an extensive catalogue, written by the four artists, which will be available for purchase.The event was organized by the EI. The group decided to take part not only because it has been a long-standing presence in Belgium, but also because it is one of the most important cultural institutions in that country. They have always been involved in and have influenced the development of electronic music. In 1999, they launched the La Fédération Internationale, a gallery/publisher/cinema/music/performance/event space that has been based in a small town in the Belgian countryside. The gallery is currently being used as a hub for experimental electronic music and events. Since 2004, La Fédération has organized a number of events, including one of the most important festivals in Belgium, the Wir für eine Stunden (Fields of Discussion), held in the central town of Maastricht. In 2010, they added a stage and a sound system to the institution. The show will be installed in this exhibition space, and La Fédération will be there to record and comment on the events.