further ash is a found poem

Result #1

further ash is a found poem and the original is a work of art, the poetry is no longer of a piece with the other things in the world. The poem is a lost poem that cannot be located; it is a fragment of a lost poem.It is possible that the more the poet is shown, the more important it becomes. It is not only important to know the poem but also to understand the poet as a fragment of a fragment of a fragment. The fragmentary quality of the poem becomes important for the viewer, who is encouraged to look at the poem as a whole, not as an isolated piece. The poet is a fragment of a fragment and the poem is a fragment of a fragment. The poem is a fragment of a fragment and the fragment is a fragment. The poem is a fragment of a fragment and the fragment is a fragment. The poet is a fragment of a fragment and the fragment is a fragment. The poem is a fragment of a fragment and the fragment is a fragment. The poem is a fragment of a fragment and the fragment is a fragment. The poet is a fragment of a fragment and the fragment is a fragment. The fragment is a fragment and is a fragment. The poet is a fragment of a fragment and the fragment is a fragment. The poet is a fragment of a fragment and the fragment is a fragment. The poet is a fragment and the fragment is a fragment. The fragment is a fragment and is a fragment and is a fragment. The fragment is a fragment of a fragment and is a fragment and is a fragment. The fragment is a fragment of a fragment and is a fragment and is a fragment. The fragment is a fragment of a fragment and is a fragment and is a fragment and is a fragment. The fragment is a fragment of a fragment and is a fragment and is a fragment. The fragment is a fragment and is a fragment and is a fragment. The fragment is a fragment and is a fragment and is a fragment.

Result #2

further ash is a found poem by the artist, which reads, We have been here before. We have walked with the stars and moons, and we have seen the sun rise. We have spoken with the dead. We have seen the birth of the world and of human beings. But we have not written, nor will we write.We might be forgiven for thinking that this is a self-portrait, a self-portrait that is both self-portrait and self-portrait. But the juxtaposition isnt necessarily self-portrait. The juxtaposition isnt self-portrait either, but its a self-portrait, a self-portrait in the usual sense of the word. Its a self-portrait, as the word has come to mean, and the fact that it is an image is irrelevant. Its a self-portrait, and in that sense, as a word, it is self-portrait. The word itself is the thing that is going to be lost.The juxtaposition of self-portrait and self-portrait is an interesting one. Self-portrait is the image of the artist, and self-portrait is the image of the artist. Both the image of the artist and the image of the artist are lost, but only because they are both abstract and abstracted. Self-portrait is the sign of the artist who has lost, and the sign of the artist who will have to make do with it. Self-portrait is the sign of the artist who will have to make do with himself. Self-portrait is the sign of the artist who has lost self-portrait. Self-portrait is the sign of the artist who has lost self-portrait. Self-portrait is the sign of the artist who has lost self-portrait. Self-portrait is the sign of the artist who has lost self-portrait.

Result #3

, a scrap of paper and ink. In the same manner, the drawings are an attempt to represent the myth of the self-portrait as a drawing that is itself a scrap of paper. In the same manner, the objects in the show are examples of the objects of the world. Here, we see the work of artists who, in the words of Jean Baudrillard, are interested in the recognition of the self, in the recognition of the art of the other. This is the work of artists who take up the myth of the self, and who take up the myth of art as a sign of the self-reflexivity of the Other. In this show, the works of these artists are not meant to be seen as artworks, but rather as a series of fragments of paper, a series of signs. This is what the works of these artists mean when they speak of their work as signs. In this way, they are not sign-painters, but sign-painters who use sign-painters as a medium. They use the sign as a sign of the Other, and thus of art.

Result #4

by the late artist Paul Kadans about his experiences as a child in the hospital when he was treated for leukemia. On the wall opposite the poem was a list of names and phone numbers of those who had called to ask if there was anything they could do. One could assume that the artist was suggesting that those who ask will be listened to, and that the best way to find out is to ask. But the conversation was interrupted by the sound of a bird—a rare bird in the gallery, and a sign of its imminent extinction—and the words of the text were cut off. The piece was a fitting tribute to a vibrant community of patients, their willingness to give their time and their energy to each other.Johanna Feldman is a writer and art historian based in New York.

Result #5

further ash is a found poem by the Russian poet Alexander Pasternak, which documents a police raid on his home in Moscow in which he was killed. At the time, the poem was interpreted as a political statement about the repression that followed the 1917 revolution, but it has since been interpreted as a philosophical one as well. The poem is an ironic but cogent reminder that we still live in an era in which the rules of the game are shifting, and the rules of the game are also changing. With this in mind, it is no surprise that the performance was organized by the Centre Pompidou in Paris, where this show originated. The Centre Pompidous recent show of film and video works—the most recent of which were recently shown in Paris at the Centre Pompidou—had already established a reputation for such artists as Hans Haacke and Yoko Ono, as well as for the work of such groups as the Futurist group A.I.R. The contemporary artists in this show, however, are far from conventional. The most obvious example of this is the work of the young Russian artist Ilya Kabakov. Kabakovs video installation, All That Is Left of Soviet Materialism, 2007, was shown at the Galerie des Beaux-Arts in Paris in 2006. At that time, the piece was accompanied by a text by the artist, translated into French and published in the Bulletin of the Atomic Scientists. It had become clear that Kabakovs video installation was a form of parapsychology, and that he was using it to explore the possibility of interspecies communication. In the present exhibition, Kabakovs video installation was followed by a series of photographs and an installation of objects, all made of cardboard and Styrofoam, which were placed on a wooden pedestal.The video installation All That Is Left of Soviet Materialism is a work in progress, but one that is already nearly finished.