There are too many Santas.

Result #1

There are too many Santas.  They are not only major figures in the history of twentieth-century painting but they are also important figures in the history of the modern age. The names of the major New York artists, such as Daniel Burnham, Diane Arbus, and Norman Lewis, are all there, but the pictorial content is very limited. The works are always produced in an assemblage. They are always done in a light and airy way that makes them appear more personal. The technique is always simple, but it is never lazy. The paint is clean and smooth and dry. The look of the painted surfaces is of the highest quality. The surfaces are often raised and stained in an airy and almost calligraphic manner. The surface is often worn and weathered.The surface is always fresher and cleaner than the paint. The paint is applied in a thin, warm, matte manner, and in a very narrow range of colors. The colors are not found in the canvases, but are found in the surface. The surfaces are often covered with dark, smoky, opaque or thinned colors, but the paint is always clean and polished. The paint is applied in a wide range of sizes and with very fine, sometimes shiny, and often shiny, thinned strokes. The paint is applied with the utmost precision and is applied with great care. The surface is not scratched or gouged. The surfaces are often stained in soft, almost paint-like ways. The paint is often applied in a light, somewhat oily, a dusty or almost rancid way. The paint is applied in an almost non-signature, almost photographic manner. The surface is often scratched, but the paint is never applied with any kind of paint-brushing or stroking technique. The paint is usually applied with a very precise, smooth, and precise, even craftsmanship in the way it is applied. The paint is often applied with great care, precision, and skill.

Result #2

There are too many Santas.  Many Santas are very talented and full of life.  Theres a good deal of Rorschach-like stuff in them, with dashes of color, a rich and mysterious combination of patterns, and a deadpan, humorless, and even comic-book-like style.  Theres an earnest, naturalistic, sentimental quality to most of them.  Theres a sense of the self in them.  Theres a bittersweet beauty to many of them.  A kind of beauty that is so genuine it may make you think about making your own sculptures out of them, but you dont. The best Santas in the show were the ones that have not been altered, although there are some that have been painted.  The paintings are beautiful, but they dont quite meet the standards of beauty that Santas are supposed to meet.  They look too forced and amateurish.  They look like a bunch of cool kids. The paintings dont quite match the sculptures.  The sculptures are too pretty, but they dont match the paintings.  The paintings look like a group of people trying to decide what to do with themselves. The sculptures look like a group of people trying to decide what to do with themselves.  The sculptures look like a group of people trying to decide what to do with themselves.  The sculptures look like a group of people trying to decide what to do with themselves.  The paintings look like a group of people trying to decide what to do with themselves.  The sculptures look like a group of people trying to decide what to do with themselves.  The paintings look like a group of people trying to decide what to do with themselves.  The sculptures look like a group of people trying to decide what to do with themselves.  The paintings look like a group of people trying to decide what to do with themselves.

Result #3

There are too many Santas. A total of 54 objects, all created between 1975 and 1984, made of bronze, silver, and graphite, were here: 8 sculptures from the 30s, 15 from the 40s, and more than a dozen from the 50s and 60s. The sculptures, which range in scale from large to small, are cut and polished into polished, smooth, high-polished bronze. But although the sculptures themselves are beautiful, they dont show much of the subtlety or subtlety of the original works. What this shows is the awkwardness of the situation in which the objects are placed.The sculptures are placed in a series of frames, so that the pieces are seen from different angles. The frames are covered with copper paint. The paint is applied in small layers. The paint is applied to the copper surfaces and then stained and worked with. The stained paint is not polished, but instead its surface has been treated with high polish. The paint has a highly reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint is applied to the copper surface and then stained and worked with. The paint has a reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint has a highly reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint has a reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint has a reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint has a reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface. The paint has a reflective quality; the reflective quality is the result of the application of paint that has been applied to the copper surface.

Result #4

There are too many Santas.  Makro makes the Santas look like the ghosts of men who have been dead for years. The ghost is not the one who sits quietly by the fireplace in the living room; it is a ghost with a presence. The Santas are the living dead, which means they have been living in the very same house for years. We see the ghosts, but we do not know that we are seeing them. So, too, are the living dead, but we do not know whether we are living with them or with ourselves. In Makros works, the living dead are often tortured by an act of madness, or, at the very least, by the ghosts of the living dead. In the book, Möbius Frith, Makro makes the spirit of the dead man a living ghost, a ghost of his own past and present life, which is not only physical but mental. He shows us a dead man with a face as white as snow, a ghost who has been tortured by the ghosts of his own past.The spirits of Makros self-portraits are more than just visual puns on the faces that appear in his works. Möbius Frith is a narrative in which the self is a man-made myth, a myth that is never reduced to a series of literary references, but is filled with contradictions. It is a story of the soul, a story in which the self is a dead myth, a story in which the soul is a living myth, a living myth that is only the work of man. For Makro, the soul is a myth that is bound by the myths of the past.Makro shows us that myths are not the result of man, but that man creates myths. Möbius Frith is a modern version of the old myth of the battle of Pelopsida, but Makro has filled the myth with contradictions and has transformed it into a living myth.

Result #5

There are too many Santas.  Numerous images are of dogs, some of them on their hind legs, some with long heads, some with eyebrows, some with eyeglasses, and some with human faces.  The heads are often in front of the faces.  The heads are usually upside-down or upside-down, and their faces are often separated by the facial hair. Some of the heads are placed on top of the heads, others are usually placed on the floor.  A few of the heads have eyes, and some have wide mouths.  The mouths are often opened wide and a lot of the heads are small.  The heads are usually single or in pairs.  They are usually fairly tall, thin, and thin, and the faces usually are big.  Most of the heads are large.  There are a lot of small heads.  The faces are often shaped like weasels.  Most of the heads are oval-shaped or oval-shaped.  Some of the faces have long, pointed noses.  The heads are usually oval-shaped, some are round.  Most of the faces are painted black.  Some of the heads are painted gold.  The facial hair is usually white, some dark green.  The eyes are usually black, red, or blue.  The nose is usually black and the eyes are often closed.  The facial hair is often tied up in tight bunches or in a tight knot.  Some of the heads have pointed noses and ears. The faces are usually black, or beige or white. The lips are usually closed or not-closed.  The eyes are usually closed.  Most of the heads have long, pointed noses.  The faces are usually black, or beige or white. The heads are sometimes painted gold. Some of the faces have eyes.