what's the meaning of " ubiquity " in the modern art

Result #1

world? The only answer was given by the representation of the work of others, but of those who are not in the art world, but simply showing their works in an exhibition. And it is not the place of an artist to declare that his works are public art. It is also not an act of freedom. It is not the presentation of his work that is fundamentally democratic, but rather the choice of art as a place for questioning ones own limits.

Result #2

world?—Carlo Mollino

Result #3

what's the meaning of " ubiquity " in the modern art world? As Meret Oppenheim states in the catalogue, the works that figure most prominently in the exhibition are those that are least intimately connected to each other. The most obvious examples are the paintings of Oppenheims son, the only two, in which the line between his work and that of his father is essentially unbroken, and the large group of digital prints in which one can see the earliest work. But where do these pieces come in? Where does the line between their own color and Oppenheims? If there are two, and they arent always the same, what does it mean to say that oppositions can be maintained between them? Oppenheims line between the lines, the lines that define and define, the lines that are, in a sense, the things within the thing, are really a series of lines between the canvas and the wall that invite us to walk around them, to step on them, to cross them. The lines that define and define oppositions between opposites are always equally and, in this sense, uniquely narrow, because there is no way to cross them.Oppenheims recent paintings have been on display at the O.K. Harris Gallery in New York since 2008; the show opened in May in San Francisco. The photographs, which date to 1999, were taken with a digital camera, a medium that permits a quick and easy workflow. The resulting prints were made with the most rudimentary of tools, the palm-size flash. With the exception of a few photographs that use the soft focus technique, the images are all close-up. The result is a half-round pictorial blur. Oppenheim paints his images in acrylic on canvas, a material that is as hard as lead, and is naturally prone to a light-absorbing effect. A few of the images are quite large, like the largest works in the exhibition, which the artist also uses as a canvas.

Result #4

world?—Rachel Wilsons

Result #5

world?—Jan Dibbets