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Result #1

Texto introductorio escrito por ministra de cultura para cat?logo de arte de la muestra "Lo que la noche le cuenta al d?a", titulo de la novela de H?ctor Banciotti, integrada por artistas argentinos (Le?n Ferrari. Marta Minuj?n, Liliana Maresca, Alberto Greco, Nicol?s Robbio, Juan Sorrentino) de la ?ltima mitad de siglo, tratando las violencias pol?ticas de la argentina. Desde el marco te?rico de Suely Rolnik. —Lila Ruben, the Museu de Arte de Barcelona, сAlto Córdovas, Madrid, 1972. Photo: Santiago Meirengueta. This exhibition of 19 works by the artist of the 1960s and 70s, which were presented here through a series of programs by the Museo Nacional de Arte de Barcelona and the Instituto de Arte de São Paulo, was also the first in a series of exhibitions in the city dedicated to the development of Brazilian contemporary art, a city that is still in the process of recovering from the shock of the 1960s, when the country was hit by the first of the most devastating natural disasters in modern history. The show included works from the 50s, 60s, 70s, and 80s, as well as works by artists from different periods, such as Rorschach, Mondrian, and the painter of the same name, who was the subject of a number of his paintings. The exhibition was organized by the Museo Nacional de Arte de São Paulo, which organized the exhibition with the curator, curator, and principal investigator of the Museo Nacional de Arte de São Paulo, Ana Serpa, and the curators, Vilma Gómez and Marta Melo.The exhibition was divided into three parts: The first part of the exhibition was dedicated to the development of Brazilian contemporary art. Here, the development of the art of the 1960s and 70s was documented in a number of works by artists from the 50s and 60s, including a number of Rorschach tests and the work of the likes of D.O.H.E. (Electric Obelisk), Mario Merz, and Cildo Meirenguida. The second part of the exhibition explored the history of modern art in Brazil.

Result #2

Texto introductorio escrito por ministra de cultura para cat?logo de arte de la muestra "Lo que la noche le cuenta al d?a", titulo de la novela de H?ctor Banciotti, integrada por artistas argentinos (Le?n Ferrari. Marta Minuj?n, Liliana Maresca, Alberto Greco, Nicol?s Robbio, Juan Sorrentino) de la ?ltima mitad de siglo, tratando las violencias pol?ticas de la argentina. Desde el marco te?rico de Suely Rolnik. La mia della mia ciudad de soschiau (The Martian, the Martian prison cell) (detail), 2007, ink-jet print, 22 3/4 x 20 1/2". From the series la mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008. © International Contemporary Art Museum, New York. From the series la mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008. © International Contemporary Art Museum, New York. The catalogue of this exhibition, La mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008, is a concise survey of the artists oeuvre, with the first volume devoted to the artists early work, the second to his late work. The exhibition is divided into three sections: La mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008, which is a compendium of the artists early work; La mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008; and La mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008. The first chapter, La mia della mia ciudad de soschiau (The Martian, the Martian prison cell), 2008, is an overview of the artists practice. The chronological order of the chapters is not chronological, but rather is a sequence of events and relationships.

Result #3

Texto introductorio escrito por ministra de cultura para cat?logo de arte de la muestra "Lo que la noche le cuenta al d?a", titulo de la novela de H?ctor Banciotti, integrada por artistas argentinos (Le?n Ferrari. Marta Minuj?n, Liliana Maresca, Alberto Greco, Nicol?s Robbio, Juan Sorrentino) de la ?ltima mitad de siglo, tratando las violencias pol?ticas de la argentina. Desde el marco te?rico de Suely Rolnik. . . . Ocampo otro partida de la noche della Museu de Barcelona, a una nada de corto (What Does the Nude Have to Do with the Nude? A Book on the Nude). Themes from these texts, each of which refers to a specific item, are made up of a series of diptychs. In the first of these, the text is reproduced as a single page, while in the second, the text is reproduced as a page. The text, which is in black and white, is printed in white on a single sheet of paper. In the third, the text is printed in black and white, with a few lines of white. In the fourth, the text is printed in a similar fashion, and in the fifth, it is printed in a single color. The first two, with their titles, are: Jo?nni?nni? (How to Find the Nude?, 1985) and I?u?u?u? (What Is I?, 1985). The third is: Dià? de? (What is the Nude?, 1985). The fourth is: Dià? de? (What is the Nude?, 1985). The fifth is: Dià? de? (What is the Nude?, 1985). The sixth is: Dià? de? (What is the Nude?, 1985). The seventh is: Dià? de? (What is the Nude?, 1985). The eighth is: Dià? de? (What is the Nude?, 1985). The ninth and tenth are: Dià? de? (What is the Nude?, 1985). The eleventh is: Dià? de? (What is the Nude?, 1985). The twelfth is: Dià? de? (What is the Nude?, 1985).

Result #4

Texto introductorio escrito por ministra de cultura para cat?logo de arte de la muestra "Lo que la noche le cuenta al d?a", titulo de la novela de H?ctor Banciotti, integrada por artistas argentinos (Le?n Ferrari. Marta Minuj?n, Liliana Maresca, Alberto Greco, Nicol?s Robbio, Juan Sorrentino) de la ?ltima mitad de siglo, tratando las violencias pol?ticas de la argentina. Desde el marco te?rico de Suely Rolnik. La providencia esta arquivo a traventura (The government is not a threat to your freedom, the government is a force for freedom), 2005, a large-scale work created for the exhibition, draws from the history of the liberation movements in Spain. The title refers to the famous Spanish revolutionary who was a member of the political group CNT, a group that fought for a socialist society. Rolnik has chosen to create a similar work in the style of the CNT, but with a twist: He has chosen to build a room filled with a collection of objects from the group. He has designed a room that is the result of the CNTs political activities. In this room, Rolnik has installed a series of books on display: books on flags, on the bodies of revolutionaries, on the ideas of the anarchist movement. The books are arranged in a grid, creating a kind of a manifesto, a text in the form of a document. In this way, Rolnik challenges the formal rules of the book, using the same formal principles to create a room that is full of symbols.The exhibition also included a series of drawings and photogravures, also created for the exhibition. The drawings are based on the concept of a library, a place where books are stored and arranged in order to provide an objective, complete record of the history of the revolution. Rolnik places a library in the shape of a house: It is a house of symbols, a house that includes books on flags, on the bodies of revolutionaries, on the ideas of the anarchist movement. These books are arranged in a grid, creating a kind of a manifesto, a text in the form of a document. In this way, Rolnik challenges the formal rules of the book, using the same formal principles to create a room that is full of symbols.